Contemporary design studio  we+  literally digs into an urban mineral deposit in Tokyo to create ‘Haze,’ a new series of copper objects and partitions that reframe our relationship with materials, a relationship that has long impacted Earth’s geological cycles and ecologies; this phenomenon, commonly referred to as the ‘Anthropocene,’ initially took off in 1950 with irreversible damages.

Exhibited during  Milan Design Week 2022 , the collection specifically looks at how ‘ mining has developed worldwide without regard to natural cycles, and [how] manufacturing processes have become very complex. As a result, understanding an overall picture of resource extraction, manufacturing, and disposal is extremely difficult, and people have yet to find a way out of the current situation,’   explains we+. 

all images © Masayuki Hayashi

For the ‘Haze’ series, we+ returns to the roots of the complex human-material relationship by looking at Tokyo as a mineral deposit where copper, a symbol of modern civilization, can be sourced sustainably to assign it new values — ones that go beyond its original function and utilities. That said, the  team   started collecting discarded copper wires in Tokyo before breaking them apart to mold and hand-shape them into sculptural design elements. The studio  completed this collection as part of its ‘Urban Origin’ research and development (R&D) project. 

‘Haze’ by we+ was exhibited during Milan Design Week 2022

close-up shot of the hand-shaped copper wires

the collection explores new values for copper as a way to reframe the human-material relationship

copper wires were flattened and molded into sculptural design objects

the collection is part of ‘Urban Origin’, a research project by we+

name: Haze (Urban Origin) design: we+ | @weplus.jp

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: lea zeitoun | designboom

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